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AVAILABLE NOW!
In the Midnight Museum Gary A.
Braunbeck
Introduction by Terry
Dowling. Artwork by Conny
Valentina.
"Martin's
emotional anguish and the fragmentation of his
life are so deftly and honestly depicted that
the story's surreal elements resonate in a way
that is both exceedingly rare and sublimely
wonderful. As an exploration of a mind and a
reality under threat, it has the authority of
truth." Robert Hood -
Backstreets, Immaterial:Ghost
Stories.
"In The Midnight Museum is a
powerful story; an incredibly moving journey,
filled with unforgettable images and a genuinely
creepy atmosphere. Braunbeck is a truly gifted
writer." Brett McBean - The Mother, The
Familiar Stranger.
"In the Midnight Museum is
a wonderfully lyrical, visually vivid tale of a
vanished bookshop, the Great Rooftop Detritus
Dance of the Hopping Beaked Camera, and a writer
in a pre-nuthouse holding facility seeking a
third alternative to life and death. Like the
work of Philip K. Dick, Heinlein's 'The
Unpleasant Profession of Jonathan Hoag', Le
Guin's 'The Lathe of Heaven', and William
Browning Spencer's 'Resume With Monsters, - Like
Lewis Carroll illustrated by Dali, a map of
Kadath by Bosch, or a circus poster by Goya -
Braunbeck's disturbing and engrossing novella
explores the borderlands between reality, art,
and nightmare. Venture inside and see the
show." Stephen Dedman -
Never Seen by Waking Eyes, Shadowrun: For a
Fistful of
Data.
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300 soft covers $22.95
AUD
26 Lettered
hardbacks $150.00
AUD (Signed by Gary A.
Braunbeck, Terry Dowling
and Conny
Valentina)
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Review
by Mark Smith-Briggs of
Horrorscope Gary A. Braunbeck is a three time Bram
Stoker Award Winner and the author of 10 novels
and 10 short story collections. In the Midnight
Museum is his new horror novella and the second
release for Australian publisher Tasmaniac. The novella was originally
published in the US through Necessary Evil Press
in 2005. In the Midnight Museum is a shockingly
twisted journey into a surreal fantasy world of
death, rebirth and art. Written by award-winning
author Gary A. Braunbeck, it follows the story of
Martin Tyler, a depressed, middle-aged cleaner who
ends up in a short-term psychiatric hospital after
a failed attempt to end his life. The attempt
opens him up to a third reality, a place of
creation and destruction, artists and monsters. He
learns that here, like his life, the world is on
verge of crumbling – and only he can save it from
disaster.
An incredibly moving story, the
strength of the novella comes from Braunbeck’s
ability to tackle home truths about depression and
the human mind. Braunbeck takes the internal
struggles of a man trying to find hope and purpose
in his life and externalises them with a
quest-like journey into a nightmarish world.
Martin must venture into the Midnight Museum to
fight the physical manifestations of the
monsterous Gash and save mankind, but it the
symbolic nature of this battle (helping him to
overcome his own demons) that is where the heart
of the story lies.
In the Midnight Museum
proves that horror can be thrilling, scary and
entertaining but also tackle deeper, real life
issues and is the perfect book to counter any
argument by literary snobs that claim horror has
no value in the art community. I highly recommend
you experience it for yourselves.
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